Sunday, January 29, 2012

Sink or Swim

My latest painting "Sink or Swim" says it all for 2012. I've completed about 14 paintings since August 2011 (at the Ondarte International Residency in Akumal Mexico), and am now looking for gallery representation world wide.
You can see the rest of the paintings on cathrynmcewen.com... the series is entitled Water Works www.cathrynmcewen.com/water-works-2011.html

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Sunday, October 09, 2011

Water Works

Getting 'into the flow' and working on my new series 'Water Works' which you can view on cathrynmcewen.com. After a successful exhibition at Gallery Aloft in Sydney Australia earlier this year, this series is a return to my interest in body language. This new series was begun and exhibited at the Ondarte Artist Residency in Akumal Mexico, where I was invited in July to be included in their first group of artists. 'Water Works' as a series deals with figures in water and is a continuation of my interest in body language, emotion and narrative. My intention is to extend the concept of a portrayal of a figure using the water to express something more about them through reflection or the surface qualities; an alter ego, a deeper emotion, a secret desire, or a darker side of the person involved. I am also busy looking for gallery representation around the globe on the back of the work I have achieved this year!

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Friday, August 19, 2011

Adaptability

Adaptability can be good for the soul and one’s work. I have just completed 4 weeks at the Ondarte Residency in Akumal Mexico and several new paintings with a welcome return to figurative work.

It’s easy for us to play it safe, but then what’s the point of making safe art? I highly recommend a residency experience for those of you who are looking for a way to move forward in your work. When you put yourself in a position of vulnerability; a totally new environment; surrounded by a group of new individuals/artists that you live, eat and work with on a daily level; in a foreign country with a foreign language and sometimes unfamiliar customs; and faced 24 hours with your self and your work … you will surface changed in one or many ways. This can be very beneficial for your work especially. It gives the artist a chance to explore, experiment with new methods and ideas, and the benefit is a new group of friends and contacts from other parts of the world.

I also recommend staying as long as you can in order to get into a new body of work… this takes time even when you have al the time in the world for your work. Of course there are distractions, especially here in Mexico, but they will have to wait until the end of the month. For now, happy and busy and working toward a strong start to a whole new direction – for the better! Viva Ondarte and residencies in general!

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Thursday, July 21, 2011

Ondarte International Residency Exhibition July 23 2011

I've only been here at the Ondarte Artist Residency in Akumal on the Mayan Riviera of Mexico for 2 weeks and have already completed 3 paintings. Love it here and I'm looking forward to another month with a new group and more painting!
The residency is holding an open house for us on the 23rd of July and because we are the first group of artists, everyone is talking about the event and coming from far and wide! Thank you for the exposure Ondarte, and for the opportunity to be here! I know this place is destined to be one of the best as it is already world class in my book!
My latest work explores figures with the dualities of their ‘potential’ hidden psyches incorporated through the use of distorted reflections in water and through the use of shadows. I am interested in the idea of expressing an alter ego within a figurative representation, perhaps to reveal an underlying ‘darker’ side, or a hidden trait or association, or even a truer ‘self’.



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Friday, July 15, 2011

Paradise Found! - by Cathryn Mc Ewen

Ondarte International Artist Residency
Akumal Mexico

Hola! This is something that has to be shared! I was picked up at Cancun airport one week ago for a two month stay and have settled in nicely to life at Ondarte and as predicted, one day might be paint, pool, paint, pool… the next day sun, sand, snorkel…. and the next, might be a combination. The mix of artists is great, the premises outstanding, and the surroundings – simply magic. For instance, one crawls out of bed, goes for a swim in the nearby lagoon teaming with all varieties of colourful fish or jumps on a bike and rides in to ‘town’, perhaps at this time of year, lucky enough to catch a turtle digging a nest which will hatch in 60 days…. then it’s back to the studios and getting down to the business of making art. Paradise or what?!

The studios are outside under a giant palapa where we work day and/or night, depending on the collective mood. But it’s easy to stay and work all day, serenaded by the many birds with the fan blowing beside you and the pool not far away to cool off even more. Hot but good, and it’s to be expected for the middle of the summer. The tropics may take some adjusting for some but having lived in Australia for 28 years, I was happy to get away from the Sydney ‘cold’ of winter. And I couldn’t have picked a better spot…

Already, an exhibition of our work is planned for July 23 where all of the locals and tourists have been invited. The entire town is looking forward to the event. There are many expat Americans in this hidden oasis on the Mayan Riviera, so the idea of international artists coming to the area has been welcomed with open arms. And that’s what you will find with the friendly folk around here – open arms. The ruins of Tulum and Coba are closeby, and further supplies can be found in Playa del Carmen, a half hour north.  

I’m looking forward to the coming weeks and achieving the goal of a strong body of work, so stay tuned for weekly installments! Hasta luego!

Sunday, January 30, 2011

Dogma

An exhibition of my paintings February 16 to March 5 2011
Gallery Aloft, 660 Darling Street Rozelle NSW 2039

“Cani - può vivere con loro, non potrei vivere senza di loro.”
(“Dogs - can live with them, couldn’t live without them.”)
C McEwen 2011
I noticed Dogs initially as a potential focus for painting from my time in Berlin, and started some canvases early in 2009. Dogs were everywhere - which was not surprising given most Berliners live in apartments. I was impressed at how well they behaved in small places – more noticeably on the crowded trains. Dogs there seemed to have a more important status alongside the human inhabitants, being allowed in the restaurants, bars, and shops – anywhere their owners were found.
From there, I made my way across the south of Europe in April 2010, and completed a few more paintings in Barcelona, where Dogs were also a big part of everyday life. My travels culminated in a two month invitation to the MIRA artist residency in June/July, in the small rural town of Martignano in the south of Italy, where I didn’t expect there to be many Dogs at all. But they were everywhere.
I soon discovered that there is a huge problem with stray dogs in Italy – I expected stray Cats, but not Dogs. But in Martignano, about 10 years ago, a few of the children – now prominent citizens of the town – ‘adopted’ a few of the more exceptional puppies as “pets”. These animals were the ones to greet me everywhere I went in town and they were all known to the inhabitants who cared for, fed, and accepted them as part of their town life. There were happy dogs everywhere you went, and I never heard of any problems. Like their other European counterparts, these Dogs also knew they were on to a good thing – a harsher existence but still a good thing. Where every other town in the area seemed to have a problem with strays – the people here were smart enough accept them. It soon became apparent to me that if all the surrounding towns were to adopt the same practice, the stray Dog problem would be noticeably reduced. I enquired if a few of the local children could possibly take over the care of the animals and continue the good deed started by a handful of individuals. The next generation could then potentially learn to respect and care for these lovely animals. This was readily accepted as a viable and positive option.
In getting to know the individual Dogs, they became special to me too. I felt lucky to have experienced this relationship – they would never beg for food, they only seemed to be happy with the connection of someone talking to them (even in a foreign language) and a familiar face. At least that’s what I imagined for myself. They seemed to understand my concern for them. I get that bond every time I come in contact with Dogs especially, wherever I am, and I’m sure most people would say the same. You don’t have to be a pet owner to feel the connection. And we shouldn’t take this connection for granted, but honour it and learn from it. The lovely people of Martignano have.
Wouldn’t the world be a lonely place without Dogs. These wonderful animals have been associated throughout history with possessing our more positive human traits – traits such as protectiveness, guidance, loyalty, generosity, and companionship, and the outcome is that this evokes these positive emotions in us.
It’s disappointing that our capacity to feel this basic instinctive bond with this animal is not practiced with our fellow man in our everyday global existence, and leads me to conclude and therefore believe, that Dogs probably possess a higher intelligence.

More about the dogs can be found in Cathryn’s blog at http://www.cathrynmcewen.com/blog.html

Monday, October 04, 2010

Warning! Watch out for Artist Vultures!

Recently I was approached by a "curator" asking me to submit works for an exhibition they were organising in a large American city at the end of this year. Naturally I was interested and asked for more details. I also did a search on this person to ensure they were reputable. Everything looked great until I received further details from this "curator" asking for 3 specific works and .... a submission fee to be included of 2500 euros!?! (Which would bring the price up considerably!) The gallery would then take a further percentage of any sales!

You do the sums, but the "curator" would be the only one making any money here. And to me this is outrageous - no matter what their reputation is. It's a huge win for the curator and huge loss for any artist.

Even with a potential 50% of sales, most artists are out of pocket before they start with most exhibtions. They must for any framing, are expected to send or deliver the works, insure the works, pay a percentage of their sales to the gallery, and now often have to pay for the invitations and the opening!

Why is this "curator" asking for so much money? Pure greed. It should not be necessary if they are inviting the artist for a specific exhibition. Why not take a 10% cut of sales, give 30% to the gallery and everyone would win! They would have the prestige of the exhibition, and for providing a professional service that serves both themselves, the gallery, and the artist.

My suggestion - if you are approached with a similar unreasonable "offer" - refuse. You are better off getting a group of artists together and approaching a gallery (just like they have) - and doing it yourself. Whether you are an emerging artist or a professional - weigh up the costs first of paying someone as a go-between - and ask yourself if it is really worth it - on any level.

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